I am a research-based artist and writer who primarily uses photographic processes to examine human relationships, particularly in relation to identity and the natural world. I use a variety of traditional, modern and experimental photographic techniques, often within the same projects, to explore the limits and flexibility of the medium. A principle focus of mine is the practice of embedding the subject of my creative and research interests within the material of its representation (an example of this can be found here). I am also interested in photography's relationship to other media as a method to deepen and expand audience engagement with complex themes and subjects. Some examples of this are the inclusion of sound, sculpture and living plants exhibited alongside printed media.

Alongside my practice I am also a practice-based PhD student in photography at the University of Brighton, conducting research on how artistic interaction with the concept of vegetal intelligence can help deepen creative engagements with plants, with a specialism in oak trees. Broadly speaking my research interests cover photographic theory, history and practice; plant intelligence; critical plant studies; queer ecology and queer theory.

A link to my research profile can be reached here.

My creative writing, which usually takes form as short stories, poems or photo-poetry, explore human relationships and memory in relation to queer identity and intimacy. Information about my first short story Under waning moons, a combination of photography, prose and poetry (or photo-poetry), published by At Alta: The Birmingham Journal of Literature in 2020, can be found here.